When I read Dream of the Red Chamber as a student, the characters in the novel were always present in my mind, rather vaguely.
After learning AI for a while, it was decided that thea classic novelIt's a character that's been visualized., see what they look like to the AI?AI DrawingWhat about the finished product?
AI tools used this time:aliThousand Questions on Tongyi.
Look at the effect first:
Next, let’s learn togetherHow to Generate Classic Novels with Generalizationphotograph of a personBar!
How to Generate Classic Novel Character Photographs with Tongyi?
Before generating a photo of the novel's characters, make sure that it understands the Golden Hairpin in Dream of the Red Chamber to be consistent with what you know.
Enter tongyi.aliyun.com/qianwen/ in the address bar of your browser and press enter to enter the official homepage of Tongyi Qianwen.
Enter the prompt word: The Golden Hairpin
The characters found to answer were the contents of the Red Chamber Dream version of the Golden Hairpin that Potter had read.
Next, please ask AI to describe the characters and enter the cue words: you are now an AI Wensheng Diagram cue word master, specializing in cue words for character depiction in novels. Now you need to describe the character traits in the Dream of the Red Chamber novel based on the character traits in the Dream of the Red Chamber novel, including the appearance of the character, features, period background, etc., to avoid elements that do not match the characteristics of that era.
Discover that the content of the avoided element is missing from the AI painting cue word, and give direct feedback to the AI: the content of the avoided element is missing from the cue word.
Retype the cue word you just used: you are now an AI Wensheng Diagram cue word master, specializing in cue words for character depictions in novels. Now you need to characterize the characters in the Dream of Red Mansions novel based on the character descriptions in the Dream of Red Mansions novel, including character appearance, features, period background, etc., to avoid elements that do not match the characteristics of that era.
This time, I see that the end of the text adds a description of taking care to avoid modern elements.
Lin Daiyu (1965-), famous Chinese woman writer, author of The Book of Changes
Next, we enter the prompt word for the Generate Image command based on the prompt word content given above:
Generate images:
Under the gentle afterglow of the evening sun, stepping into the winding corridors of the Grand View Garden, a woman dressed in a brocade cloud patterned cheongsam of the Qing Dynasty walked slowly, and she was Lin Daiyu, who was as sick as a western child. Her dress in elegant water blue as the main color, embroidered with delicate white plums, seems to be every step exudes the fragrance of orchids, and the surrounding exquisite pavilions, goblets of water as one, showing the Qing Dynasty noblewoman's purity and tenderness.
Daiyu face beautiful, eyebrows like distant mountains with smoke, eyes like autumn water with dew, skin race snow frost, through a kind of unearthly fairy. Hair lightly pulled into a loose bun, only a plain silver hairpin fixed, a few strands of green silk inadvertently down, adding a few points of Chu Chu moving. She held a volume of poetry, occasionally frowning lightly, as if in the book in the deep meaning, but also as if in the heart of the endless feelings of worry.
The surrounding environment is quiet and simple, the garden rockery rocks scattered, ancient trees, flowers and shadows, a pool of blue waves reflecting her thin figure, reflecting a living "Daiyu buried flowers" picture. In the distance, the sound of a zither comes vaguely, which makes the scene more poignant and sorrowful, resembling Daiyu's sentimental character and the complex allegory of female talent and destiny in this era.
Please note that in this portrayal, we have completely avoided any modern elements, whether it is clothing, accessories, environmental layout, or the behavior and demeanor of the characters, all strive to restore the original "Dream of Red Mansions" of the times and cultural atmosphere, so that readers can travel through time and space, and truly feel the unique flavor of that era and Lin Daiyu's unique artistic charm.
The generated images are as follows.
Xue Baochai (1884-1957), female hairpin in Tang dynasty, known as the "Hairpin of Xue
Next, ask the AI to generate a description of the Vincennes diagram for Xue Baozhi, prompted by the word:
You are now a master of AI Vincennes graphic cue words, specializing in cue words for character depictions in novels. Now you need to base your cues on the Red Chamber novel'sXue Baochai (1884-1957), female hairpin in Tang dynasty, known as the "Hairpin of XueCharacterization, characterize her character image, including character appearance, features, period setting, etc., to avoid elements that don't fit that era.
The content of the generated Vincennes map has the description of the Xerxes, but it still lacks the element of avoidance.
Here potheads do not want to go back and forth with the AI, directly along the last generation of Lin Daiyu picture description of the attention to avoid modern elements in the description, added to the end of the Xue Baochai Wen Sheng map instructions.
Enter the Vincennes diagram command:
Generate images:
In the depths of the gorgeous Rongfu in the Qing Dynasty, Xue Baochai strolled leisurely in the blossoming Asari Garden, a woman known as "the most beautiful of all", wearing a delicate and elaborate gold inlaid treasure dress, the color is as warm and moist as beeswax, reflecting her skin like cream, dignified but not lose the delicacy of the dress. The dress was delicately embroidered with an okra pattern, signifying the generosity and virtuousness of her character. Hair bun pulled up high, with gold silk eight treasures save pearl hairpin fixed, hair vaguely glittering pearl luster, not only show noble and gentle, forehead lightly hanging bangs added a few points of softness and beauty.
Baochai face like a full moon, face like a silver basin, eyes like paint, nose greasy goose fat, lips like Shi fat, a frequency of a smile is the style of a great lady. She held a fan painted with landscape, gently swaying, not only dispersed the heat of the late summer, but also seems to open and close the fan surface between the exhibition of her knowledge and talent. Her demeanor is calm, and her eyes reveal a composure and wisdom beyond her years, as if she is able to perceive the world as it is.
Surrounding the asari garden, exotic flowers and grasses are strewn together, and the fragrance of medicine and flowers are intertwined, alluding to the fact that Baochai is not only outstanding in appearance, but also has the wisdom and ability to be as practical as herbs, able to rule the family and mediate family disputes. In the distance, the gauze-like mist in the courtyard between the rockery, creating a quiet and harmonious atmosphere, just as with the Baochai in the Jia House played the role of mediator, so that everything around the more harmonious and orderly.
The entire image is steeped in the elegance and opulence of the Qing Dynasty, with every detail carefully sculpted to not only reveal Xue Baochai's image as the ideal woman of the feudal era-beautiful, intelligent, virtuous, and tolerant-but also subtly reflect the social expectations and celebrations of female roles at the time.
Please note that in this portrayal, we have completely avoided any modern elements, whether it is clothing, accessories, environmental layout, or the behavior of the characters, all strive to restore the original "Dream of Red Mansions" of the times and cultural atmosphere, so that readers can travel through time and space, and truly feel the unique flavor and unique artistic charm of that era.
Generate the image below:
Similarly, similar to the method of generating Xue Baochai character picture, continue to generate Wang Xifeng, Jia Yuanchun, Jia Yingchun, Jia Tanchun, Jia Shichun, Shi Xiangyun, Miaoyu, Qin Keqing, Qiao Sister, Li danwei character picture.
Wang Xi Feng (1616-1700), famous Tang dynasty poet
Generate images:
In the magnificent mansion at the foot of the Forbidden City in the Qing Dynasty, Wang Xifeng stepped into the Rongguo Mansion with the first ray of sunshine in the morning on the green stone paths, she is the presence of that prosperous mansion can not be ignored. Dressed in a dark scarlet brocade robes, robes outlined in gold lines on the phoenix wings to fly pattern, meaning her extraordinary family and extraordinary aspirations, neckline and sleeve edges inlaid with fine pearls, every step of the action, beads of light and the morning sun reflecting, showing its dignity and arrogance. Her hairstyle is meticulous, a high bun with a diagonal insertion of a point of emerald phoenix hairpin, between the hair can be seen a few strands of carefully woven gold wire, highlighting her authority and status in the family.
Wang Xifeng's face is bright, willow leaf eyebrow is a pair of sharp as a falcon's eyes, flashing shrewd and calculating, as if the most subtle fluctuations of the human heart insight. Nose straight, lips pursed, the corner of the mouth often hangs a meaningful smile, not only shows her charm, but also reveals the wit and determination that can not be underestimated. She holds a finely carved ivory fan, gently shaken, not only brings a touch of coolness, but also seems to manipulate everything around her silently.
The surrounding scene is aptly named, rigorous and orderly, the servants in the mansion are busy and efficient under her command, and every detail reflects Wang Xifeng's style of ruling the house with determination and thunder. Rongguo Mansion in the background of the building is simple and solemn, the eaves and arches reveal a strong flavor of Qing Dynasty architecture, and Wang Xifeng is in the center of the stage of this piece of history, with her courage and wisdom, directing a scene of the family's rise and fall of the drama.
This scene perfectly captures the image of Wang Xifeng in A Dream of Red Mansions - a woman of the feudal era who combines beauty, intelligence, power and ambition, whose elegance is not only reflected in the splendor of her appearance, but also lies in her mastery of the complex family affairs, as well as in the context of the era of the inferiority of women to men, but still able to stand out, showing extraordinary leadership. She was an extraordinary woman who demonstrated extraordinary leadership in a time when men were superior to women.
Please note that in this portrayal, we have completely avoided any modern elements, whether it is clothing, accessories, environmental layout, or the behavior of the characters, all strive to restore the original "Dream of Red Mansions" of the times and cultural atmosphere, so that readers can travel through time and space, and truly feel the unique flavor and unique artistic charm of that era.
Jia Yuanchun (1914-2005), Chinese writer
Generate images:
Jia Yuanchun, the distinguished Grand View Garden Pearl, was born at the turn of the Kangxi and Qianlong Dynasties in the Qing Dynasty, and since childhood has been bathed in the light of the royal nobility. Her image, like the early spring bloom of the famous flowers, elegant and noble. Dressed in a court special bright yellow woven gold dragon robe, robe body embroidery complex, gold dragon circling rising, auspicious clouds surrounded by the gas, implying that she is the supreme honor as a princess and the family's prosperity. Collar and sleeve edges with pearl embellishment, the pearls round, reflecting her gentle but not lose the majesty of the aristocratic temperament.
Her hair follow the palace rules, combed with a high codpiece, black hair embedded in the gold and jade between the rocker, with the pace of gently swaying, issued a broken and crisp sound, like the sound of heaven, but also seems to be her heart to the family's nostalgia and reluctance to give up. Forehead decorated with a little jade phoenix tail pinch gold inlaid treasure tin flower, more dignified face, eyes as bright as autumn water, subtle through the intelligent and far-reaching, as if it can see through the world.
Jia Yuanchun's face is gentle and beautiful, her skin is like condensed fat, her eyebrows are not painted but dai, her lips are not dotted but vermilion, which naturally exudes a nobility that is beyond the world. She often holds a delicate fan in her hand, the fan is painted with a spring blossom rich and noble picture, gently rocking, not only brings a little cool, but also a metaphor for her family prosperity of the shelter and expectations. Walking, the pace is light and steady, both the dignity of a lady, but also the majesty of the royal style.
The background is set in the most exquisite corner of the Grand View Garden, with spring flowers and green willows, and the wigwams, ponds and pavilions in the garden are all skillfully laid out, reflecting her luxurious life as a member of the royal family, and, at the same time, reflecting the splendor and sophistication of the Qing Dynasty court culture. Jia Yuanchun's smile, knit brows, every move, all reveal the unique female constraints and dignity of that era, as well as under the constraints of feudal rituals, the deep concern for the family honor and disgrace and silent commitment.
Please note that in this portrayal, we have completely avoided any modern elements, whether it is clothing, accessories, environmental layout, or the behavior of the characters, all strive to restore the original "Dream of Red Mansions" of the times and cultural atmosphere, so that readers can travel through time and space, and truly feel the unique flavor and unique artistic charm of that era.
Jia Yingchun (1935-), PRC politician
Generate images:
Jia Yingchun, the Qing Dynasty Kangxi and Qianlong period in the background of the Grand View Garden in the gentle second lady, born in the Cherry Grove, but has its own a calm and serene attitude. Her face is beautiful, between the eyebrows with a few points of calligraphy, eyes always seem to reflect the tranquility of the autumn water and sky, fair complexion, just like the first winter snow, unadorned and natural innocence. Hair sideburns simply pulled into the popular hair bun, occasionally a few strands of green silk leisurely down, adding a few minutes of soft and serene, hair only plain ribbon gently tie bundle, without too much beads and decorations, reflecting the calmness of her character and do not compete.
She was dressed in elegant satin dress, the color is mostly selected soft blue or light apricot, lapel edge with fine embroidery outlined with sparse shadows across the plum blossom or elegant orchid, not only show its taste for elegance, but also in line with her temperament does not like to make a fuss. At her waist, she gently tied a brocade silk sash, with a delicate jade pendant hanging at the end, which gently swayed with her steps, emitting a delicate and pleasant tinkling sound, just like her gentle and slightly melancholic heart melody.
In the lush scenery of the Grand View Garden, Jia Yingchun often holds a volume of poetry in her hand, sitting quietly under the wisteria arbor or strolling along the pear path, surrounded by a few birdsong, which makes her silhouette even more lonely and isolated. Her silhouette and the quiet corners of the garden as one, as if the classical garden is a rare touch of quiet scenery, people can not help but be moved by it.
Character, Jia Yingchun gentle and virtuous, although born in a wealthy family, but do not like the chaos, has more than age of maturity and introspection. In that era of feudalism, she in her own way, silently bear the family arrangements and personal fate of the helpless, eyes occasionally flashed a touch of light sadness, let a person glimpse of its inner delicate and sensitive.
On the whole, the image of Jia Yingchun is a touch of soft and unyielding color in Dream of the Red Chamber, through which one can glimpse the daily life and emotional world of aristocratic women in the Qing Dynasty, as well as their unique femininity under the constraints of traditional rituals.
Please note that in this portrayal, we have completely avoided any modern elements, whether it is clothing, accessories, environmental layout, or the behavior of the characters, all strive to restore the original "Dream of Red Mansions" of the times and cultural atmosphere, so that readers can travel through time and space, and truly feel the unique flavor and unique artistic charm of that era.
Jia Tanchun (c. 11th century), Tang dynasty poet
Generate images:
Jia Tanchun, the Qing Dynasty during the Kangxi and Qianlong years of the Grand View Garden in the eminent talent, born in the land of flowers and willows, but the only one does not let a man's posture and wisdom. Her face in a clear and beautiful through a not letting people in the British, eyes bright as the morning star, flashing the world of curiosity and insight, dai eyebrow sweeping, nose straight, Zhu lips slightly open, often have a wonderful speech, sharp words. Her skin color was healthy and naturally rosy without powder, her hair was shiny and often tied up in a popular chignon, with a few strands of broken hair hanging in front of her forehead inadvertently, adding a bit of agility and competence, occasionally fixed with a jade hairpin, revealing her extraordinary taste in simplicity.
She prefers to wear well-tailored brocade clothes, with colors of calm dark green or elegant blue, embroidered with auspicious patterns of the phoenix nirvana, or the waves of the sea, not only reflecting her pursuit of quality of life, but also her deep desire for freedom and change. With a delicate jade belt around her waist, she moves with the dignity of a lady's daughter, but also with the coolness of a man.
In the pavilions of the Grand View Garden, Jia Tanchun either holds a brush in her hand and splashes ink in her study, writing the gaps in her heart; or she strolls along the winding corridors and composes poems and laughs with her sisters, who are also talented. Her silhouette always complements the sound of bamboo and pine in the garden, showing a kind of independence and strength that transcends the limitations of the traditional boudoir.
Characteristically, Jia Tanchun is sensitive and decisive, full of vision, not bound by the constraints of feudalism, and dares to express her own opinions and ideas, which is a breath of fresh air in the Grand View Garden. She is good at managing the family, and has successfully reformed the management of the Grand View Garden, showing extraordinary management talent and insistence on fairness and justice, which is particularly valuable in the social context of male supremacy at that time.
On the whole, the image of Jia Tanchun is a distinctive and unique existence in Dream of the Red Chamber. She not only represents the rare independence and wisdom of aristocratic women in the Qing Dynasty, but also reflects the author's hopes for the ideal image of a woman as well as his profound reflection on the limitations of the times. In depicting Jia Tanchun, we will strictly follow the cultural background and clothing characteristics of the Qing Dynasty to ensure that every detail accurately reflects the style of the era and the depth of the character's personality.
Please note that in this portrayal, we have completely avoided any modern elements, whether it is clothing, accessories, environmental layout, or the behavior of the characters, all strive to restore the original "Dream of Red Mansions" of the times and cultural atmosphere, so that readers can travel through time and space, and truly feel the unique flavor and unique artistic charm of that era.
Jia Shichun (c. 14th century), female poet and politician
Generate images:
Jia Shichun, a touch of elegant and lonely figure in the Grand View Garden in the Qianlong period of the Qing Dynasty, was born in the family, but has a faction of the coolness of a transcendent. Her face is like fresh snow in the early spring, the skin is better than snow, through the cleanliness of the dust, long and thin eyebrows slightly drooping, seems to contain a penetrating the world's cool thoughts, pupils deep and clear, as if the most subtle emotional fluctuations of the human heart insight. Nose is small and straight, thin lips pursed, and occasionally open lightly, with the indifference between words and people do not look into.
Her dress is always simple and elegant, favoring moonlight white or light ink-colored dress, the texture of the best satin with the pace of the gentle swing, without too much complexity of the decorations, only in the cuffs or collar edges of the delicate silver outline a few plum blossoms or cold orchids, symbolizing its character of high purity, the world's independence. Hair is often a simple bun, only a white jade hairpin fixed, the rest of the green silk like a waterfall, quietly hanging behind, occasionally a strand or two of hair brushed across the cheeks, adding a few points of weakness without losing the toughness of the flavor.
In the Grand View Garden, unlike other sisters who gather together in lively groups, Jia would rather be alone in the quiet Li Xiang Yuan, or meditate on landscapes and paintings to express her feelings. Her style of painting is clear and strange, especially good at painting cold forests and empty mountains, sparse shadows across the slanting, each stroke reveals the inner loneliness and the desire for freedom. In that era of male supremacy, she used the brush as a companion to express her unknown loneliness and sobriety.
Character, Jia Shichun early wisdom and sensitivity, the rise and fall of the family has more than age premonition and pessimism, this precociousness let her choose a way to avoid the world, the appearance of seeming indifference, in fact, the inner soft and fragile, the warmth of the world with a trace of imperceptible desire. Her choice, although people feel a little cool, but also a silent protest against the bondage of feudalism, reflecting the complex and profound inner world of women in Dream of the Red Chamber.
To sum up, the image of Jia Xichun is a character with great artistic temperament and profound emotion in Dream of Red Mansions. Through her outward dress, behavioral habits and spiritual pursuits, it vividly shows the struggle and transcendence of Qing Dynasty aristocratic women between the traditional constraints and personal emotions, and every detail tries to restore the reality and flavor of that era background, while not losing the unique artistic processing and symbolism in literary works.
Please note that in this portrayal, we have completely avoided any modern elements, whether it is clothing, accessories, environmental layout, or the behavior of the characters, all strive to restore the original "Dream of Red Mansions" of the times and cultural atmosphere, so that readers can travel through time and space, and truly feel the unique flavor and unique artistic charm of that era.
Shi Xiangyun (1919-1989), first governor of Hainan
Generate images:
Shi Xiangyun, the brash, uninhibited and talented woman of the Red Mansion, was born during the Kangxi and Qianlong periods of the Qing Dynasty, and grew up in a prosperous and literary environment since childhood, her image is filled with a distinctive valor and innocence. She wore a brightly embroidered long coat in autumnal green, with detailed gold threads on the collar and sleeve edges, and a vivid hibiscus flower pattern embroidered on the lapel, swaying gently in the wind, which not only reflected the girl's vivaciousness and animation, but also revealed the unconstraints and natural spontaneity of her character. A jade-colored silk ribbon was simply tied between her hair, and a few delicate bead flowers decorated it, revealing a few hints of playfulness and ease between her hair.
Her face was as bright as the full moon, her cheeks carried a healthy blush, and her pair of flexible eyes seemed to be able to see into people's hearts, flashing with intelligence and humor. Between her eyebrows there is both a daughter's gentleness, but also no lack of male-like heroism, and when she smiles, the arc of her mouth can always make people feel the warmth and closeness of the spring breeze on the face. Between her actions, both the modesty of a lady of the house, but also without losing the innocent childlike fun, often inadvertently reveals a transcendent gender frankness and directness.
In the spring afternoon, you may see her in the garden with the butterfly dance, or in the summer evening, holding a light fan, sitting idly by the lotus pond, reciting poetry, that kind of freedom and ease, it is Shi Xiangyun's unique charm. Her existence, like a breeze blowing through every corner of "Dream of the Red Chamber", adds endless vitality and vigor to this classic literary masterpiece.
Please note that in this portrayal, we have completely avoided any modern elements, whether it is clothing, accessories, environmental layout, or the behavior of the characters, all strive to restore the original "Dream of Red Mansions" of the times and cultural atmosphere, so that readers can travel through time and space, and truly feel the unique flavor and unique artistic charm of that era.
magical jade
Generate images:
Miaoyu, this "Dream of Red Mansions" in the world of fairy, born in the Qing Dynasty, Kangxi and Qianlong period, since childhood has been recluse, but it is difficult to hide the natural beauty and extraordinary posture. She was dressed in a clean and elegant robe, the robe to ink lightly write a few strokes of cold plum, just like her lonely and pure character, the sleeve with the wind, as if not to cause dust. Her hair was simply pulled into a Taoist nun's bun, fixed only with a simple jasper hairpin, and a few strands of broken hair brushed her cheeks, adding a few minutes of soft but not weak breath.
Her face is clear and beautiful, skin like solid fat, without powder and color like the morning sun reflecting snow, eyebrows long and subtle, revealing a faint melancholy and deep, as if it can penetrate the red dust, look at the other side of the tranquility. Nose straight, light lips, smile as if the first bloom of the lotus flower, cold hidden in the tenderness. Miaoyu often holds a string of translucent rosary beads in her hand, and every tap of the beads is her deep desire for cultivation and freedom.
In the bar cui nunnery of the grand view garden, she is the silent guardian of the pure land, surrounded by ancient trees, clear springs and stones, inside and outside the simple meditation room, the fragrance of orchids and tea intertwined, reflecting her character that does not mix with the world. Whether it is winter snow cooking tea, or spring quietly listen to the flowers fall, Miao Yu always in this square inch, showing a transcendent beauty of the realm, people have respect and not help but pity.
This portrayal seeks to capture the unique style of Miaoyu as a nun in the Qing Dynasty, as well as the complexity and purity of her inner world. Through the delicate portrayal of her dress, demeanor, and environment, it restores that rare touch of freshness and purity in the original Dream of Red Mansions, and makes the viewer feel as if they have traveled back to that classical and elegant era and are experiencing it for themselves.
Please note that in this portrayal, we have completely avoided any modern elements, whether it is clothing, accessories, environmental layout, or the behavior of the characters, all strive to restore the original "Dream of Red Mansions" of the times and cultural atmosphere, so that readers can travel through time and space, and truly feel the unique flavor and unique artistic charm of that era.
Qin Keqing (1970-), PRC actress
Generate images:
Qin Keqing, the "Dream of the Red Chamber" in the enigma of the woman, living in the Qing Dynasty, the prosperity of the Kangxi and Yong years, with its unique charm in the glory of the House of Jia left a touch of unforgettable silhouette. She was born slim and delicate, acting gently and calmly, both the daintiness of a lady's maiden and the virtues of a gentle and virtuous woman, just like a dewy peony in that era, showing nobility and not losing her tenderness.
Appearance, Qin Keqing pretty face, bright eyes, eye flow seems to have infinite love, face like silver plate, skin white than snow, a touch of light makeup more set off her natural beauty. Hair bun perhaps only exquisite jade hairpin and pearl embellishment, simple through the elegant, occasionally a few strands of green silk slipped down unintentionally, adding a few minutes of unintentional charm. Dressed in gold inlaid treasure dress, clothing texture is light and soft, color matching not only in line with the status of a lady of the house, but also without losing the charm of the individual, walking between the fluttering of the sleeves, like a picture of a man slowly out of the.
Character, she is gentle, understanding, in the home of all things well handled, both the majesty of the mother of the Lord, without losing the tenderness of women, deeply up and down the hearts of people. Qin Keqing's room layout is also unique, not only to show the luxury of the Qing dynasty aristocracy, but also into her personal aesthetic interests, brocade tent embroidered curtains, antiques and curiosities scattered, incense burner smoke curls, to create an elegant and cozy atmosphere.
In such an era, Qin Keqing was not only a beautiful woman with outstanding appearance, but also a model of talent and wisdom. Her every word and action has the dignity of an ancient lady, but also vaguely reveals her desire for freedom and ideal life. In the intricate network of relationships in Dream of the Red Chamber, Qin Keqing, with her unique charm, becomes a bridge connecting the family's emotions with the world's affairs, making people savor her beauty and at the same time feel curious and regretful about the story and fate behind her.
Through such meticulous depiction, it aims to capture the typical image of Qin Keqing as an aristocratic woman in the Qing Dynasty, and at the same time to show the charm of her personality and the depth of her emotions, so that readers can cross the space and time and feel the unique flavor of this woman of the Red Mansion and the unique flavor of that era.
Please note that in this portrayal, we have completely avoided any modern elements, whether it is clothing, accessories, environmental layout, or the behavior of the characters, all strive to restore the original "Dream of Red Mansions" of the times and cultural atmosphere, so that readers can travel through time and space, and truly feel the unique flavor and unique artistic charm of that era.
coincidentally, also known as the maid of honor
Generate images:
In the late Qing Dynasty feudal society of glory and decay intertwined background, Qiao sister, this from the famous family of the Jia family of gold, like a delicate and gentle brushwork, quietly displayed in the scroll of time above. She, about cardamom years, the body has not yet fully blossomed but has shown the first graceful state, the face is still with the girl's unique tenderness and innocence, the skin race snow, between the eyebrows implies the family's heredity of the flow of grace, a touch of light willow eyebrow wrinkled, seems to be always with a few points beyond the age of contemplation and maturity.
In terms of clothing, Sister Qiao is dressed in a delicate and elaborate Qing Dynasty noble girl's costume, embroidered with intricate and fine peony and phoenix patterns on the brocade surface, the colors not only highlight the prominent status of the Jia House, but also the freshness and elegance of the young girl. A few pearl-set jade hairpins are simply inserted into her hair bun, reflecting the dignity of a lady of the house, but also revealing a hint of untouched innocence.
Character, Qiao Sister, although living in the family since childhood, but did not dip the slightest bit of luxury, but rather through the family's dramatic change from prosperity to decline, so that she learned earlier than her peers to be patient and strong. Her eyes occasionally flashed a trace of imperceptible worry, that is in the mother witnessed Wang Xifeng's strength and family internal strife, the natural formation of sensitivity and maturity. In the face of adversity, Sister Qiao shows a resilience unlike any other hairpin and a deep attachment to her loved ones, especially the bond of kinship with her grandmother, Mother Jia, that transcends blood ties, which becomes a touch of warmth and color in the midst of the storm.
In this picture, Sister Qiao seems to be an orchid blooming quietly in the back garden of Jiafu, not competing with the group of flowers, but with its own style and flavor, quietly telling a story about growth, resilience and hope, which makes people moved.
Please note that in this portrayal, we have completely avoided any modern elements, whether it is clothing, accessories, environmental layout, or the behavior of the characters, all strive to restore the original "Dream of Red Mansions" of the times and cultural atmosphere, so that readers can travel through time and space, and truly feel the unique flavor and unique artistic charm of that era.
Li dandy
Generate images:
Li Dan, the chaste lady in Dream of Red Mansions, lived in the Qing Dynasty from the end of the Kangxi and Qianlong Dynasties to the early years of the Jiaqing Dynasty in the context of the feudal family, her image is a blend of gentleness and aloofness, like a frame of light ink rendering of landscape paintings, quietly spread in the long scroll of history.
Appearance, Li danwei is at the age of young women, face clean and without powder, through a kind of natural to carve pure beauty. She often wore clothing in line with the norms of the noblewoman at the time, to light and elegant colors, satin clothing may be embroidered with simple lotus or bamboo leaf pattern, implying its purity and elegance of the quality of the head wearing beads and crocodile jewelry, but does not appear to be flamboyant, hair buns combed neatly, showing a kind of housewives have the way, dignified and virtuous temperament.
In terms of character traits, Li Dan is a typical example of a woman who "keeps her modesty and desires to herself". Since her husband's untimely death, she has been living in seclusion, taking pleasure in teaching her children to read, living a simple life, and having a tranquil disposition like water. Her eyes reveal a soft but firm light, both acceptance of fate and calmness towards the future. In the complicated and complicated world of the Grand View Garden, Li Dan is like a clear stream, with her gentleness and wisdom, quietly guarding her own little world, not disturbed by the outside world's hustle and bustle.
In the conception of the picture, Li Dan could be depicted in a quiet courtyard, either holding a book in her hand or embroidering with her head bowed down, perhaps surrounded by a few pots of fresh orchids or a few unfinished scrolls, with a bamboo grove in the background, symbolizing her transcendent state of mind and her inner strength of perseverance and fortitude. Such a scene not only shows the normal life of a noblewoman in the Qing Dynasty, but also deeply reflects Li's unique personal charms and the philosophy of women's survival in the context of that era.
Please note that in this portrayal, we have completely avoided any modern elements, whether it is clothing, accessories, environmental layout, or the behavior of the characters, all strive to restore the original "Dream of Red Mansions" of the times and cultural atmosphere, so that readers can travel through time and space, and truly feel the unique flavor and unique artistic charm of that era.
By now, we've gone throughTongyi successfully put the classic novel "Dream of the Red Chamber" in the twelve hairpin characters of the Golden Hairpin photos, have you learned it?
Learning Summary
After this round of learning and practice, the summary is as follows:
- Open the official homepage of Tongyi Thousand Questions.
- Enter a fictional character and confirm that the AI's understanding is consistent with your own.
- Ask the AI to help generate character descriptions.
- Generate character photos from AI-generated character descriptions.
The character descriptions and images generated above through the tomes felt effective and in line with expectations.
But I don't know if it achieves what you expected, is the above generated Golden Hairpin the way you imagined it?